Subjective room acoustics impressions play an important role for the performance and reception of music in concert venues and auralizations. Therefore, room acoustics since the 20th century dealt with the relationship between objective, acoustic parameters and subjective impressions of room acoustics. One common approach is to correlate acoustic measures with experts' subjective ratings of rooms as recalled from their long-term memory, and explain them using acoustical measures. Another approach is to let listeners rate auralized room acoustics on bipolar scales and find objective correlates. In this study, we present an alternative approach to characterizing the subjective impressions of room acoustics. We concolve music with binaural room impulse response measurements and utilize Multi Dimensional Scaling (MDS) to identify the perceptual dimensions of room acoustics. Results show that the perception of room acoustics has $5$ dimensions that can be explained by the (psycho-)acoustical measures echo density, fractal correlation dimension, roughness, loudness, and early decay time.
翻译:主观房间声学印象对于音乐厅中音乐的演绎效果与听觉化呈现具有重要作用。因此,自20世纪以来,房间声学领域始终致力于探究客观声学参数与主观声学感知之间的关联。常见研究方法之一是将声学测量指标与专家基于长期记忆对房间的主观评价进行相关性分析,并通过声学参数予以解释。另一种方法则是让听者在双极量表上对听觉化呈现的房间声学效果进行评分,进而寻找客观关联指标。本研究提出一种表征房间声学主观印象的创新方法:通过音乐信号与双耳房间脉冲响应测量的卷积处理,并运用多维尺度分析(MDS)技术来识别房间声学的感知维度。结果表明,房间声学感知存在$5$个维度,可分别通过(心理)声学参数——回声密度、分形关联维数、粗糙度、响度及早期衰减时间——进行解释。