Computational art analysis has, through its reliance on classification tasks, prioritised historical datasets in which the artworks are already well sorted with the necessary annotations. Art produced today, on the other hand, is numerous and easily accessible, through the internet and social networks that are used by professional and amateur artists alike to display their work. Although this art, yet unsorted in terms of style and genre, is less suited for supervised analysis, the data sources come with novel information that may help frame the visual content in equally novel ways. As a first step in this direction, we present contempArt, a multi-modal dataset of exclusively contemporary artworks. contempArt is a collection of paintings and drawings, a detailed graph network based on social connections on Instagram and additional socio-demographic information; all attached to 442 artists at the beginning of their career. We evaluate three methods suited for generating unsupervised style embeddings of images and correlate them with the remaining data. We find no connections between visual style on the one hand and social proximity, gender, and nationality on the other.
翻译:计算艺术分析依靠分类任务,将艺术作品已经精密分类并附有必要说明的历史数据集列为优先历史数据集,而今天制作的艺术通过专业艺术家和业余艺术家都用来展示作品的互联网和社交网络,数量众多且容易获取。虽然这种艺术在风格和类型方面没有分类,但不太适合用于监督分析,但数据来源含有新颖信息,可能有助于以同样新颖的方式将视觉内容设置为框架。作为这一方向的第一步,我们展示了当代艺术作品的多式数据集。ComtempArt是一个绘画和图画集集集,一个基于Instagram社会联系和额外社会人口信息的详细图表网络;所有这些艺术都附属于职业生涯开始时的442名艺术家。我们评估了三种适合生成非超强风格图像嵌入图像并与其余数据相联系的方法。我们没有发现视觉风格与社会距离、性别和国籍之间的联系。